Publishing Splits Calculator
Break down how mechanical, performance, and sync royalties split between publishers and co-writers
Paid each time a song is reproduced (streaming, downloads, CDs). In the US, split 50/50 between publisher and writer. Streaming mechanicals flow through the MLC.
Register with your local PRO to collect performance royalties. For mechanicals in the US, register with the MLC (Mechanical Licensing Collective).
Publishing Splits Calculator
About the Publishing Splits Calculator
Publishing royalties are split in multiple layers that can be confusing for independent artists. Audicient's Publishing Splits Calculator makes it clear: enter a revenue figure, choose the royalty type, and instantly see how the money flows — from the gross pool through publisher share, sub-publisher deduction, and down to each co-writer.
The calculator covers mechanical, performance (PRO), sync, and print royalties, each with their standard split ratios. It also includes a PRO reference guide listing major collecting societies worldwide.
What it does
- Mechanical, performance, sync, and print royalties
- Publisher / writer split visualised with bar chart
- Sub-publisher retention adjustment
- Up to 5 co-writers with custom percentages
- PRO reference guide for 10 major collecting societies
Features
Four Royalty Types
Covers mechanical (streaming/downloads), performance (PRO/radio), sync (film/TV/ads), and print (sheet music) — each with its standard publisher/writer split.
Co-Writer Splits
Add up to 5 co-writers, assign percentage ownership, and see each writer's exact payout from the writer pool.
Sub-Publishing
Adjust how much of the publisher pool your publisher retains vs. what flows to a sub-publisher in another territory.
Frequently asked questions
What is a mechanical royalty?
A mechanical royalty is paid each time a song is reproduced — streamed, downloaded, or pressed to physical media. In the US it flows through the MLC for streaming.
What is a PRO?
A Performing Rights Organisation (PRO) collects performance royalties on your behalf when your music is broadcast on radio, TV, or played publicly. Examples: ASCAP, BMI, PRS.
Do I need a publisher?
No — artists can self-publish and collect their own publishing royalties. But signing with a publisher gives you access to pitch opportunities, licensing connections, and global collection networks.